“A thing there was that mattered,” Woolf writes at the end
of Mrs. Dalloway, that infuriating
beautiful book, “a thing, wreathed about with chatter, defaced, obscured in her
own life, let drop every day in corruption, lies, chatter” (Woolf 184). My juniors and seniors gather at 8:30 in the
morning bleary with fatigue and buzzing with outrage over some Facebook post that
fuels some interclass conflicts among the seniors. Online now being the natural place where
things that might be best held back sneak out onto one screen and then instantaneously
onto everyone’s screens.
Amidst the chatter of a hopelessly chaotic last day of the
quarter when a group of boys has supposedly created a ‘boys club’ in the
lockeroom (did somebody say defaced by
obscuring chatter?) when the bells howl every 45 minutes and semester exams
line up on the horizon of next week, my class gathers around two pages of this
difficult novel to consider a thing that matters.
“Can I ask a question not about this book?” she asks. “I’m wondering why we read books.” She asks this not accusingly but knowingly,
aware that she herself and the class are on this cusp of an answer, an answer
that she says she has been looking for since her 9th grade teacher
talked about symbolism in a story.
And I follow the question, wondering if these words creating
a privileged, somewhat unlikeable 50 year old woman throwing a party, words written
by a privileged woman who herself committed suicide, words looking into the void
of their parallel real and fictional lives, words evoking the emptiness of
England’s passing moment of greatness, suddenly visible at the end of World War
I, a moment much later howled out by Sid Vicious punked up and coked out foully
screaming, “There is no future in England’s dreaming. No future, no future, no future for you”, can
help this class understand why we read novels.
And the 13 privileged students (certainly privileged to be
so few, to be skilled enough to read Woolf) around this table who have
struggled with Woolf’s density and with my academic demands and with what can
only feel like the expectations of everyone looking at them while they reach
out for the golden ticket of college admission; they read these words aloud and
listen to each other and open themselves to the possibility that these words just
might be able reveal something to them. They are miraculously open, which is perhaps
all we can ever hope to be.
Immediately, they try to answer the question themselves
rather than looking to me. One compares
it to the moment writing a lab report when you suddenly understand what it was
you were trying to do. Another asks if
it’s like a movie, “are movies the new books?” and each pauses amidst the
chatter to look for that thing that matters to him or her and say it aloud for
the others. I sit amazed at the baldness
of this moment, the way our own truths suddenly rise up out of the commutes and
the backpacks and simmering resentments and the unstated, background of sadness
for one of their classmates, and we grope together for meaning. I ask them to observe this moment of their
own search reading about Clarissa Dalloway’s epiphany. We seem to have our own rare moment of truth
on the last day of the term, and then the bell rings and we all return to the
chatter of our daily lives.
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